Improper Stories by Saki

What a wonderful collection of stories this turned out to be – sharp, pithy and uproariously witty. I first heard about Saki’s Improper Stories via Max’s excellent review from 2014 – you can read it here. Saki (or, to give him his full name, Hector Hugh Munro) began his career as a journalist and political satirist and then went on to write a number of short stories and sketches, a selection of which are included in this volume. Several of his pieces were concerned with the absurdities of Edwardian society, particularly the ludicrous social conventions of the English upper classes. Here are the surface niceties of lavish garden parties, formal dinners and hunting events, all of which fall under Saki’s satirical gaze.

Improper Stories comprises eighteen stories first published in the years leading up to the start of the First World Word. As with other collections I’ve reviewed, I’m not going try to cover every story; my aims instead are to focus on a few favourites and to give a flavour of the volume as a whole.

Several of Saki’s stories feature mischievous children rebelling against disagreeable, strait-laced guardians. In The Lumber Room, one of my favourites in the collection, Nicholas must stay behind while the rest of the children are treated to a day out at Jagborough sands. It is his punishment for an earlier misdemeanour at the breakfast table, one involving a frog and a basin of ‘wholesome bread-and-milk’. At an early stage in the story, Saki paints a revealing portrait of Nicholas’s rather draconian aunt, the woman in charge of the household – in reality, however, she is only the boy’s ‘aunt-by-assertion’.

It was her habit, whenever one of the children fell from grace, to improvise something of a festival nature from which the offender would be rigorously debarred; if all the children sinned collectively they were suddenly informed of a circus in a neighbouring town, a circus of unrivalled merit and uncounted elephants, to which, but for their depravity, they would have been taken that very day. (p. 30)

Convinced that young Nicholas will try to sneak off to the prized gooseberry garden while his cousins and brother are away on the trip, the aunt maintains a close watch on the entrances to the patch in an effort to spoil his fun. However, unbeknownst to the aunt, Nicholas has other plans for the day – he wishes to gain entry to the mysterious lumber room, a place normally kept under strict lock and key, only to be accessed by the more privileged members of the household. This is a very effective story in which the knowing child enjoys a moment of triumph over his authoritarian guardian.

In a similar vein, although somewhat darker, is Sredni Vashtar in which a different boy, Conradin, takes his revenge on an aunt by way of his polecat ferret, the pet he has kept hidden in a secret hutch in the garden shed. This is a macabre little story, very much in the style of a classic fairy tale.

Another cunning child plays a central role in Hyacinth, one of the sharpest stories in the collection. The story begins with a conversation between Hyacinth’s mother and her friend, Mrs Panstreppon. Hyacinth’s father is standing for election, and the boy’s mother is convinced that young Hyacinth would be an asset to the campaign. The trouble is, as Mrs P is just about to point out, while Hyacinth might look the part, he cannot necessarily be counted on to behave appropriately. I love the following quote which seems to capture something of Saki’s ridicule of the upper classes and the foolishness of their preoccupations.

‘Not take Hyacinth!’ exclaimed his mother; ‘but why not? Jutterly is bringing his three children, and they are going to drive a pair of Nubian donkeys about the town, to emphasise the fact that their father has been appointed Colonial Secretary. We are making the demand for a strong Navy a special feature in our campaign, and it will be particularly appropriate to have Hyacinth dressed in his sailor suit. He’ll look heavenly.’ (p. 37)

So, Hyacinth is allowed to attend the festivities, and at first he conducts himself impeccably, presenting the young Jutterlys with a gift of butterscotch. But then, while everyone else is busy watching the closing stages of the poll, the children disappear. It soon transpires that Hyacinth has locked the Jutterlys in a pigsty along with a litter of agitated piglets, much to the fury of the piglets’ mother who is now pacing up and down on the other side of the sty door. In effect, Hyacinth is holding the Jutterlys to ransom. If their father wins the election, he will open the door for the sow, allowing her to take wreak havoc on the children; but if his own father triumphs, he will be kind enough to lower a ladder into the sty, thereby enabling the Jutterlys to escape without harm. To discover how the end of the story plays out, you will have to read it for yourself.

Other highlights featuring precious or knowing children include The Boar-Pig, the marvellous tale of a socially-conscious woman who tries to sneak into a garden party unnoticed when in fact she hasn’t actually been invited, and The Story-Teller in which a group of young children take delight in being treated to a dark story with a sting in its tail, much to the dismay of their disapproving guardian.

The Boar-Pig is covered in detail in Max’s review, so I won’t elaborate on it any further here, save to say that it points to another of Saki’s recurring themes: mischievous or playful animals. Perhaps the best example of this can be seen in the final story of the collection, the fittingly titled Tobermory who turns out to be a most unusual cat. When the rather bland Cornelius Appin – a man with an apparent reputation for cleverness – is invited to Lady Blemley’s house party, he surprises the coterie of guests by announcing that he has been able to teach an animal to talk. The animal in question is, of course, the Blemleys’ cat, Tobermory. Unsurprisingly, everyone present is eager for a demonstration of Mr Appin’s skill, so Tobermory is rounded up and allowed to take centre stage. What follows is a hilarious sequence of revelations; not only does Tobermory speak as eloquently as anyone else at the party, but he also persists in telling the unfiltered truth, thereby revealing various secrets and private conversations much to the embarrassment of everyone present. Here is a brief extract from his pronouncements – Major Barfield is the first to speak.

Major Barfield plunged in heavily to effect a diversion.

‘How about your carryings-on with the tortoise-shell puss up at the stables, eh?’

The moment he had said it everyone realised the blunder.

‘One does not usually discuss these matters in public,’ said Tobermory frigidly. ‘From a slight observation of your ways since you’ve been in this house I should imagine you’d find it inconvenient if I were to shift the conversation on to your own little affairs.’

The panic which ensued was not confined to the Major. (p. 125)

This is a deliciously impish story with a rather poignant coda, not only for Mr Appin and his fanciful pursuits, but for poor Tobermory too.

Several of the stories included here feature a recurring character, Clovis, who appears to be the embodiment of Saki at his most cutting. When he hears that a baby has gone missing in The Quest, Clovis responds with the following rather hilarious interjection. (Well, hilarious if you are reading the story; maybe not if you’re the parent of the baby in question.)

‘Perhaps an eagle or a wild beast has carried him off,’ suggested Clovis.

‘There aren’t eagles and wild beasts in Surrey’ said Mrs Momeby, but a tone of horror had crept into her voice. (p. 68)

This is a typical Clovis rejoinder – sharp, satirical and wickedly acerbic.

While the majority of these stories are witty and humorous, two or three are somewhat different in tone. Stories like The House of Fate, the rather poignant tale of a desolate wanderer who is mistaken for the master of a farm, a young man who disappeared some years earlier under a cloud of ill feeling; The Open Window, an eerie story which harks back to the tragic disappearance of a group of men precisely three years ago to the day; and The Music on the Hill, a rather macabre story which Max explores in his review. In many ways, they add variety to the collection, demonstrating Saki’s emotional range – he is a clearly writer with more than one string to his bow.

All in all, this is a first-rate collection of stories, one I’m delighted to have discovered.

Improper Stories is published by Daunt Books; personal copy.

32 thoughts on “Improper Stories by Saki

  1. gertloveday

    I read Sredni Vashtar as a young child and I’ve never forgotten it. Is The Open Window the one where a young man is heard singing “Bertie, why do you bound?” I didn’t understand it, but Ifound it really haunting. The children in these books are slightly, unsettlingly weird too, don’t you think?

    Reply
    1. JacquiWine Post author

      Yes, that’s the one! It’s very creepy, isn’t it? I wasn’t quite sure if the visitor imagines it all — he is clearly battling with his nerves — or if the men reappear as ghosts. There is an element of ambiguity about the story that makes it very intriguing. I agree with your point about the children too – they have a mischievous streak that could easily tip into more malevolent territory.

      Reply
    1. JacquiWine Post author

      Yes, I liked that term too – it says a lot about the lady in question! I think you would enjoy Saki a great deal. He definitely falls into that category of classic literature you seem to enjoy.

      Reply
    1. JacquiWine Post author

      Yes, an absolute delight! This collection was my first experience of Saki, and it proved to be a great introduction to his style. I would definitely recommend it as a suitable place to start.

      Reply
    1. JacquiWine Post author

      The book itself is so beautifully produced – high-quality paper, French flaps and an enticing cover design to boot. As you say, it would make a lovely edition to the shelves. I’m glad to hear that you are a Saki fan. It seems as if I have been missing out on all the fun over the years…

      Reply
      1. Resh Susan @ The Book Satchel

        Your post has made me very nostalgic too. We have had stories by Saki as part of the school syllabus when young. One of the stories was Dusk and I was amazed at how such a simple story captured my heart. I am remembering those days and feeling old at the same time

        Reply
        1. JacquiWine Post author

          Oh, how wonderful to have had the chance to read Saki as part your schoolwork! That must have been delightful. Your comments about the nostalgia associated with certain stories has reminded me of Tove Jansson’s Moomin books. They formed such a huge part of my childhood as the books were passed around from one member of my extended family to another. I always think back to those days whenever I see something Moomin-related.

          Reply
  2. Jonathan

    How could anyone not like Saki? I’ve only read one volume and mean to read more. Domineering aunts, naughty children & animals and lazy nephews – it’s all good stuff.

    I love the title of one of his stories called ‘The Stampeding of Lady Bastable’.

    Reply
    1. JacquiWine Post author

      Absolutely! I can’t imagine anyone not liking these stories – they’re so much fun. The Stampeding of Lady Bastable is such a great title, very Saki. I can just imagine what the premise might be. There must be an animal involved somewhere, and maybe a mischievous child or two…

      Reply
    1. JacquiWine Post author

      Thanks, Karen. Is that the Penguin edition of his stories? I have to say it looks very inviting indeed. A good one for dipping into every now and again.

      Reply
  3. heavenali

    That first quote made me smile. I can’t think that I know anything at all about Saki. I don’t think I knew he would be so witty. It sounds like a really superb collection.

    Reply
    1. JacquiWine Post author

      He is eminently quotable, so much so that I was spoilt for choice when trying to select passages for this piece. He’s definitely a writer I would recommend to you, Ali. Max has already drawn the following comparison, but as it’s very apt I’ll repeat it here. Think P. G. Wodehouse and Evelyn Waugh (the satirical novels) with a dash of Roald Dahl’s Tales of the Unexpected thrown in for good measure – that’s broadly the kind of territory we’re in here. It’s quite possible that all of these writers were inspired by Saki, at least to a certain extent.

      Reply
  4. 1streading

    It sounds like the author took great delight (mischievous delight?) in writing these! This is a book I’ve looked at once or twice having never read Saki so it’s great to get such a detailed review.

    Reply
    1. JacquiWine Post author

      He must have had a ball writing these stories, devising new ruses for riotous animals and devilish children. The scenarios he portrays are so delightful! I can only encourage you to give Saki a try at some point. He’s definitely worthy of attention.

      Reply
    1. JacquiWine Post author

      I loved Tobermory – such a neat idea for a story and yet creative too! It definitely struck a chord with me.

      I can’t take any credit for the references to Wodehouse and Dahl’s Tales of the Unexpected as they came from Max’s review (I’m pretty sure he mentioned them in the opening to his piece). Nevertheless, as you say, they are very apt – I think they help to give a flavour of what to expect.

      Reply
    1. JacquiWine Post author

      Yes, very good. Often with collections of short stories, there are two or three slightly sub-par pieces, fillers to pad out the gaps, but that didn’t seem to be the case here. They were all pretty strong. Thanks for writing about it in the first place, otherwise I might never have discovered the delights of Saki. I definitely feel as if I owe you one.

      Reply
  5. Caroline

    You make this sound very appealing. While reading I remembered I’ve got a collection of his work. I’m very glad. You tempted me to get one.
    I’m surprised he’s witty. I imagined his stories were all on the Gothic side.

    Reply
    1. JacquiWine Post author

      Oh, I’m really glad to hear you have a collection of his work. What a treat you have in store there – I do hope it includes some of these stories.

      I wasn’t surprised by the wit, I must admit – but then again, I had the benefit of knowing something about this collection in particular from Max’s summary. Some of the stories definitely have a Gothic or eerie feel about them — pieces like The House of Fate, The Open Window, and The Music on the Hill — but the majority are more humourous in tone. I’m not sure how representative that is in terms of his body of work as a whole. Maybe someone else can offer a view on that?

      Reply
      1. Caroline

        It would be interesting to know.
        I have to take a closer look at my collection and see what I have. I might have two actually and one Iread ages ago and it was on the eerie side.

        Reply
  6. bookbii

    Lovely review Jacqui. I’ve *almost* picked up collections by Saki before but been put off by my perceived disinterest in short stories (I like short stories, I just think I don’t!) and an uncertainty about the writer, but these sound marvellous, well worth the investment in time. I like the satirical tone and the focus on children and their antics, which make this sound like an entertaining and revealing read.

    Reply
    1. JacquiWine Post author

      Thanks, Belinda. Yes, it turned out to be a very entertaining read indeed, one of the tightest collections of stories I’ve had the pleasure of experiencing in quite a while. I do know what you mean about the prospect of short stories though – it’s often more tempting to opt for a full-length novel as it can seem more satisfying (at least in theory if not in practice). Nevertheless, I do tend to enjoy short stories once I get into them. Maybe it’s a case of finding the best way of fitting them into your reading time? I often have a collection on the go for those periods when I can only read for 20-30 minutes at a time – then I can read a complete story from start to finish without the narrative being interrupted by a break.

      Reply
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