My second review for Karen and Simon’s #1976Club is The Doctor’s Wife, the Booker shortlisted novel by the Belfast-born writer Brian Moore. Set against the backdrop of Northern Ireland in the mid-1970s, this compelling narrative explores the tensions between personal freedoms and the restrictions imposed by marriage, particularly in a traditional society.
The novel’s focus is Sheila Redden, a thirty-seven-year-old woman who lives in Belfast with her surgeon husband, Kevin, and their fifteen-year-old son, Danny. Attractive and intelligent by nature, Sheila married young, sacrificing any personal aspirations for a life of marriage, motherhood and domesticity. Now, sixteen years after their wedding, Sheila has persuaded Kevin to return to Villefranche on the French Riviera for a second honeymoon, a chance perhaps to rekindle their relationship after years of stagnation.
When the pressures of the surgery cause a delay, Sheila sets off for France alone, hoping that Kevin will follow two or three days later, despite his apparent reluctance to travel. En route to the South of France, Sheila stops in Paris to stay the night with Peg, a friend from her student days, and it is here in the city that the stability of her marriage is derailed. When Sheila meets Tom Lowry – a carefree American graduate ten years her junior – the attraction between the two of them is instant and undeniable. To Sheila, Tom represents freedom, opportunity and the possibility of fulfilment – elements that have been sorely lacking in her life for the past several years.
She turned to him, seeing him toss his long dark hair, his eyes shining, his walk eager, as though he and she were hurrying off to some exciting rendezvous. And at once she was back in Paris in her student days, as though none of the intervening years had happened, those years of cooking meals, and buying Danny’s school clothes, being nice to Kevin’s mother, and having other doctors and their wives in for dinner parties, all that laundry list of events that had been her life since she married Kevin. (p. 27)
Before she knows it, Sheila is embroiled in a passionate affair, a relationship that deepens in intensity when firstly, Tom follows her to Villefranche and secondly, Kevin’s departure for France is further delayed. Naturally, Kevin eventually discovers what his wife has been up to, enlisting the help of her brother, Owen – another doctor – in his attempts to persuade his wife to return home.
As in The Lonely Passion of Judith Hearne, Moore demonstrates his ability to get into the minds of his characters – skilfully conveying their hopes and dreams, their failings and violations. With the exception of Tom – who feels rather lightly sketched compared to the other individuals in the novel – the characterisation is excellent, rich in detail and shading. Owen Deane is a particular case in point, a man caught between a sense of loyalty and duty of care towards his sister and the pressure being wielded by Kevin in his attempts to bring Sheila ‘to her senses’.
As the narrative plays out, Sheila must try to reconcile her marital commitments and responsibilities with the lure of freedom and fulfilment. Over the years, she has been ground down by Kevin, complete with his patriarchal attitude and petty jealousies – issues that bubble up now and again whenever another man shows an interest. It is no accident that Sheila is referred to as ‘Mrs Redden’ throughout the novel, a woman defined by her position in the marriage.
The novel also explores mental illness and how men sometimes try to use this excuse as leverage to control women, particularly those they consider to be wilful or wayward. The shadow of religion is another visible presence, adding to the complexities of the struggle between family loyalties and personal liberation. There is a lot going on in this subtle novel, even if I didn’t quite buy into Tom as a character and the speed with which he fell for Sheila Redden…
The Doctor’s Wife is published by Bloomsbury; personal copy.