Category Archives: Wade Francesca

My books of the year, 2020 – part 1, novellas and non-fiction

2020 has been a tumultuous year for obvious reasons. I’ve read somewhere in the region of 100 books – most of them in the first half of the year while on furlough during the national lockdown. A stressful time for many of us, I’m sure; but it did give me the chance to read some excellent books, many of which feature in my highlights of the year.

This time, I’m spreading my books of the year across a couple of posts – novellas and non-fiction in this first piece, with my favourite novels to follow next week. With the exception of some of the memoirs, most of these books were first published several years ago – a factor that reflects the types of books I tend to enjoy reading. So, if you’re looking for the best *new* books published in 2020, this is not the place to come – there are many other literary blogs which cover that territory very thoroughly…

So, without further ado, here are my favourite novellas and non-fiction books from a year of reading. These are the books I loved, the books that have stayed with me, the ones I’m most likely to recommend to others. I’ve summarised each one in this post, but you can read the full reviews by clicking on the appropriate links.

Novellas

The Dig by Cynan Jones

A haunting, deeply moving book about death, grief, brutality and compassion, beautifully expressed in spare, poetic prose. The narrative focuses on Daniel, a recently widowed sheep farmer struggling to cope with the lambing season deep in rural Wales. In writing The Dig, Jones has crafted an enduring story of loss, isolation and savagery in a harsh, unforgiving world – and yet, there is great tenderness here too, a sense of beauty in the language, particularly in Daniel’s memories of times past.

The Ballad of Peckham Rye by Muriel Spark

The gloriously off-kilter world of Muriel Spark continues to be a source of fascination for me. I loved this novella; it’s wonderfully dark and twisted, characteristically Sparkian in its unconventional view. Dougal Douglas is a particularly sinister character, a mercurial individual who brings chaos into the lives of those he encounters. There is a touch of the dark arts about this novella with its slyly manipulative protagonist. If you liked Spark’s The Driver’s Seat, chances are you’ll enjoy this too.

Winter in Sokcho by Elisa Shua Dusapin (tr. Aneesa Abbas Higgins)

A haunting yet captivating novella of great tenderness and beauty – a story encompassing themes of detachment, fleeting connections and the pressure to conform to society’s expectations. The narrator – a young woman who remains unnamed throughout – is something of a misfit in her community, her French-Korean origins marking her out as a source of speculation amongst the locals. Into her life comes Kerrand, a French graphic artist from Normandy whose speciality is creating comics. Almost immediately, there is a certain frisson to the interactions between the two, a connection that waxes and wanes as the days slip by. The book’s enigmatic ending only adds to its sense of mystery.

The Harpole Report by J. L. Carr,

Earlier this year, I read Carr’s excellent ‘football’ novella, How Steeple Sinderby Wanderers Won the FA Cup in which a team of plucky underdogs overcome the mighty Glasgow Rangers to scoop the much-prized trophy. It’s a book that shares something with the author’s earlier novella, The Harpole Report, which takes another British institution – in this instance, a Church of England Primary School – as its focus for a most amusing satire. In essence, the book constructs a picture of a term at St Nicholas C of E, during which George Harpole – who has taught there for some time – is appointed as the school’s Temporary Head. This is a very amusing book that perfectly captures the preoccupations and absurdities of state-funded education in the early 1970s. A marvellous period piece imbued with nostalgia.

Love by Hanne Ørstavik (tr. Martin Aitken)

This haunting, dreamlike story of a neglectful single mother and her eight-year-old son will almost certainly get under your skin. Right from the start of the book, there is a something of a disconnect between parent and child, a sense of separateness or isolation that sets them apart from one another. The narrative unfolds over a bitterly cold night, during which these two individuals embark on separate yet strangely connected journeys, searching for their own sense of fulfilment in an uncertain world. The ambiguous nature of the ending only adds to the unnerving feel of the novel as a whole. One for book groups and individual readers alike. 

Non-Fiction

Motherwell: A Girlhood by Deborah Orr

Ostensibly a memoir exploring Orr’s childhood – particularly the fractured relationship between Deborah and her mother, Win, a formidable woman who holds the reins of power within the family’s household. Moreover, this powerful book also gives readers a searing insight into a key period of Scotland’s social history, successfully conveying the devastating impact of the steel industry’s demise – especially on Motherwell (where Orr grew up) and the surrounding community. This is a humane, beautifully-written book on how our early experiences and the communities we live in can shape us, prompting us to strive for something better in the years that follow.

Square Haunting by Francesca Wade

A fascinating collection of mini-biographies, focusing on five female inhabitants of Bloomsbury’s Mecklenburgh Square, including Dorothy L. Sayers, Eileen Power and Virginia Woolf. What I love about this book is the way the author uses this particular location as a prism through which to view the lives of these pioneering women, painting a rich tapestry of life within London’s cultural milieu from the end of WW1 to the beginning of WW2. In short, an erudite, evocative and beautifully constructed book, highly recommended for anyone interested in London’s social/cultural scene in the 1920s and ‘30s.

The Lonely City by Olivia Laing

This is a terrific read – a compassionate, multifaceted discourse on what it means to feel lonely and exposed in a fast-moving city, a place that feels alive and alienating all at once. At the time of writing this book, Laing was living in New York, recently separated from her former partner, an experience that had left her feeling somewhat adrift and alone. During the months that followed, Laing found herself drawn to the work of several visual and creative artists that had captured something of the inner loneliness of NYC, a sense of urban isolation or alienation. Through a combination of investigation, cultural commentary and memoir, she explores the nature of loneliness, how it manifests itself both in the creative arts and in our lives. A fascinating book, beautifully written and constructed – a contemporary classic in the making.

Broken Greek by Pete Paphides

Ostensibly a childhood memoir, Broken Greek offers a moving account of Paphides’s upbringing in the suburbs of Birmingham in the 1970s and early ‘80s – ‘a story of chip shops and pop songs,’ as the subtitle accurately declares. In writing Broken Greek, Paphides has given us a tender, affectionate, humorous memoir, one that brilliantly conveys the power of music – not only for the emotions it stirs within us but as a means of deepening our understanding of life and humanity, too. I read this during lockdown, and it lifted my mood considerably.

How to Cook a Wolf by M. F. K. Fisher

Another excellent lockdown read, but for very different reasons to those for Broken Greek. Initially published in 1942 and subsequently updated in the 1950s, How to Cook a Wolf is a terrifically witty discourse on how to eat as well (or as decently) as possible on limited resources. In her characteristically engaging style, Fisher encourages us to savour the pleasures of simple dishes: the delights of a carefully cooked omelette; the heartiness of a well-flavoured soup; and the comforting taste of a baked apple with cinnamon milk at the end of a good meal. The writing is spirited and full of intelligence, a style that seems to reflect Fisher’s personality as well as her approach to cooking. A rediscovered gem to dip into for pleasure.

The Shapeless Unease by Samantha Harvey

Harvey’s book is something of a companion piece to Insomnia, Marina Benjamin’s luminous meditation on the hinterland between longed-for sleep and unwelcome wakefulness. The Shapeless Unease brilliantly evokes the fragmentary nature of this interminable condition, perfectly capturing the freewheeling association between seemingly disparate thoughts as the mind flits from one topic to another. Along the way, Harvey touches on a range of other subjects with her characteristic blend of insight and intelligence – topics ranging from loss, grief, childhood, writing, swimming and the distortion of our national values into the divisions wielded by Brexit. One to keep by the bedside for the long white nights when sleep fails to come.

House of Glass by Hadley Freeman

I loved this thoroughly absorbing memoir by the journalist Hadley Freeman, a book that combines the personal and the political in an emotionally involving way. Ostensibly, House of Glass tells the story of Freeman’s Jewish grandmother, Sala, and her family, a narrative that spans the whole of the 20th century. It’s a book that asks searching questions about a whole host of issues including familial identity, integration, personal outlook, xenophobia and social mobility – topics that remain all too relevant in Europe and the wider world today, where instances of racism and nationalism are still very much in evidence.

So, that’s it for my novellas and non-fiction books of the year. My one regret is that I never found the time to write about Craig Brown’s Ma’am Darling, a book I adored. Join me again next week when I’ll be sharing my favourite novels from a year of reading.

Recent Reads – The Memory Police; Square Haunting; Excellent Women

One of the perverse by-products of the current lockdown is the fact that I have more time to read and write at the moment, even if my ability to concentrate isn’t the best. So, in the spirit of trying to keep a record of my reading, here are a few brief thoughts on some of the books that have captured my imagination over the past few weeks.

The Memory Police by Yoko Ogawa (1994), tr. By Stephen Snyder (2019)

A haunting, beautifully-written novel about memory, loss and the holes left in our hearts when memories disappear.

The novel is set on an unnamed island where specific objects have been vanishing from day-to-day life for several years. Birds, perfume, bells, stamps – these are some of the things that have been ‘disappeared’, no longer in existence either as physical objects or as memories in the minds of the islanders.

The disappearance of the birds, as with so many other things, happened suddenly one morning. When I opened my eyes, I could sense something strange, almost rough, about the quality of the air. The sign of a disappearance. […] I got up, put on a sweater, and went out into the garden. The neighbours were all outside, too, peering around anxiously. The dog in the next yard was growling softly.

Then I spotted a small brown creature flying high up in the sky. It was plump, with what appeared to be a tuft of white feathers at its breast. I had just begun to wonder whether it was one of the creatures I had seen with my father when I realized that everything I knew about them had disappeared from inside me: my memories of them, my feelings about them, the very meaning of the word “bird” – everything. (p. 10)

The disappearances are enforced by the Memory Police, an authoritarian group who go around looking for any remaining traces of ‘disappeared’ items. Moreover, the Police also play a role in tracking down any islanders who can recall erased items, rounding them up for further investigation.

The novel’s narrator is a writer; and her editor, R, is one of the few individuals with the ability to remember some of these things – namely, the existence of emeralds, perfume and other forgotten items. As the narrative unfolds, we follow the narrator’s attempts to conceal her editor from the authorities while simultaneously trying to work on her novel – the premise of which has a certain resonance with the broader story. 

Ogawa’s thoughtful, meditative novel has been widely reviewed elsewhere, so rather than wittering on about it here, I shall direct you to various other posts – particularly those by Claire, Eric and Grant – which cover it in more detail. When I think about this book, what strikes me most is how poignant it feels right now, at a time when so many of the things we have taken for granted for years are no longer accessible to us – at least for the foreseeable future. It’s a very thought-provoking read, particularly given the current global crisis – definitely recommended reading.

Square Haunting by Francesca Wade (2020)

I’ll keep this one brief, not because of any concerns about the book – it’s actually incredibly good! – but for other, purely personal reasons. In short, I’ve always found it harder to write about non-fiction than fiction, especially when a book is as meticulously researched as this.

Square Haunting is a fascinating collection of mini-biographies, focusing on five female inhabitants of Bloomsbury’s Mecklenburgh Square, primarily covering the interwar years. The women in question are:

  • Hilda Doolittle (H. D.) – modernist poet, in residence 1916-18;
  • Dorothy L. Sayers – writer of detective fiction, in residence 1920-21;
  • Jane Ellen Harrison – classicist and translator, in residence 1926-28;
  • Eileen Power – historian, broadcaster and pacifist, in residence 1922–40;
  • Virginia Woolf – writer and publisher, in residence 1939-40.

What I really like about this book is the way the author uses Mecklenburgh Square as a prism through which to view the lives of these pioneering women, painting a rich tapestry of life within London’s cultural milieu from the end of WW1 to the beginning of WW2. In addition to presenting a snapshot of each woman’s life, Wade also enables us to glimpse other notable figures of the day – writers such as D.H Lawrence and Lytton Strachey, for example – on the edges of various social circles. There are some surprising connections between the lives of the various inhabitants of Mecklenburgh Square, relationships that make this location seem all the more intriguing.

In summary, Square Haunting is an erudite, evocative and beautifully constructed book. Highly recommended for anyone with an interest in London’s social/cultural scene in the 1920s and ‘30s.

Excellent Women by Barba Pym (1952)

Finally, for this post at least, I’ve been revisiting Excellent Women, a novel I first wrote about back in 2016. The Backlisted Podcast team will be covering it in their next episode – due to land on Monday 13th April – hence the reason for my recent reread.

Once again, I’ll keep this brief – you can read my initial impressions of the book by clicking on the link above. What I will say is that it’s perfect lockdown reading. Reassuringly comforting and familiar, but with enough insight into the world of its protagonist to elevate it into the literary sphere.

In short, the novel is narrated by Mildred, a spinster in her early thirties, one of those ‘excellent women’ who can be relied on to offer a kind word or a cup of tea when needed. The trouble is, Mildred ends up getting drawn into other people’s messy business, particularly as it is often assumed that she has no real life of her own.

I suppose an unmarried woman just over thirty, who lives alone and has no apparent ties, must expect to find herself involved or interested in other people’s business, and if she is also a clergyman’s daughter then one might really say that there is no hope for her. (p. 1)

It’s a charming novel, one in which the most pressing concerns involve flower arranging and making plans for the forthcoming church bazaar. If only real life were as simple as this; we can but wish…Anyway, do tune into Backlisted once the podcast is up; it’s bound to be a good one.

The Memory Police is published by Harvill Secker; my thanks to the publishers for kindly providing a reading copy. Square Haunting is published by Faber & Faber, and Excellent Women by Virago Books; both personal copies.