Tag Archives: House of Stratus

My Books of the Year, 2015 – favourites from a year of reading

For me, 2015 was another year filled with great reading. I read around 90 books in 2015 (mostly older books), and only a handful turned out to be disappointing in some way. Once again I found it very difficult to finalise a shortlist for this post, but I’ve managed to whittle it down to a final thirteen: a baker’s dozen of excellent books, plus a few honourable mentions along the way! These are the books I love, the books that have stayed with me, the ones I’m most likely to revisit one day. I’ve summarised each ‘winner’ in this post, but you can click on the links should you wish to read the full reviews.

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First up, five category winners:

Reread of the Year: The Easter Parade by Richard Yates

Considered by some to be Yates’ best, this novel follows two sisters who take very different paths in life. Their story taps into a familiar theme in this author’s work: the search for happiness and fulfilment that always seems to elude his characters. Despite the deep sense of sadness running through the novel, this was my favourite reread of the year. A superb book (I doubt whether it gets much better than Richard Yates).

Honourable Mentions (All of these are winners in their own right): After Leaving Mr Mackenzie by Jean Rhys; A Heart So White by Javier Marías; The Long Good-Bye by Raymond Chandler.

Crime Novel of the Year: The Secret in Their Eyes by Eduardo Sacheri (tr. John Cullen)

Set against the backdrop of Argentina’s Dirty War, the story focuses on the bond that develops between a clerk in the Buenos Aires investigative court and the husband of a murder victim. This is a first-rate novel—part psychological mystery, part exploration of corruption in the Argentine criminal justice system, but always engrossing.

Honourable Mentions: Vertigo by Boileau-Narcejac; Topkapi – The Light of Day by Eric Ambler

Autobiographical Novel of the Year: Nothing Holds Back the Night by Delphine de Vigan (tr. George Miller)

To be honest, I’ve only read a couple of autobiographical books this year, but the de Vigan was so good that I had to find a slot for it somewhere! Virtually impossible to summarise in a couple of sentences, this remarkable story focuses on a woman’s quest to gain a deeper understanding of her mother following the latter’s death by suicide. A genuinely absorbing book, beautifully written – de Vigan’s prose is luminous. 

Novella of the Year: The Bookshop by Penelope Fitzgerald

Poor Florence Green is up against it at every turn as she tries to open a bookshop in the (fictional) Suffolk town of Hardborough. The town is the kind of microcosm where everybody knows everybody else’s business, a place where gossip, hierarchies and class systems all play an important role. Fitzgerald writes with great insight about life’s failings and disappointments, but she is a humorous writer too – every scene is so finely observed. Of the three Fitzgerald novels I’ve read to date, this is my favourite.

Honourable Mentions: Tristana by Benito Pérez Galdós; Madame de___ by Louise de Vilmorin; Agostino by Alberto Moravia.

Short Story Collection of the Year: Thus Were Their Faces by Silvina Ocampo (tr. Daniel Balderston)

I love the stories in this edition of forty-two pieces drawn from a lifetime of Ocampo’s writing, the way they often start in the realms of normality and then tip into darker, slightly surreal territory. Several of her stories point to a devilish sense of magic in the everyday. An unusual and poetic collection of stories that blur the margins between reality and the imaginary world. Highly recommended, especially if you’re looking for something different.

Honourable Mentions: Things Look Different in the Light by Medardo Fraile; Subtly Worded by Teffi.

And now for the novels, eight favourites from a year of reading:

Run River by Joan Didion

It was a tough call between this book and Didion’s iconic Play It As It Lays; in the end, Run River was the one that stood out for me. I love the melancholy tone of this novel which explores the disintegration of the relationship between a husband and wife living in California. There is a sense of things dying here: Lily and Everett’s relationship; the traditional rancher’s way of life; people die too. I can’t imagine it being set anywhere other than California. In some ways, it’s a lament for a time that has all but disappeared. One for fans of Richard Yates – there are similarities with The Easter Parade.

Mrs Palfrey at the Claremont by Elizabeth Taylor

This novel follows a recently widowed elderly lady, Mrs Palfrey, as she moves into the Claremont Hotel where she joins a group of residents in similar positions – each one is likely to remain there until a move to a nursing home or hospital can no longer be avoided. This is a beautiful, bittersweet, thought-provoking novel, one that prompts the reader to consider the emotional and physical challenges of old age: the need to participate in life, the importance of small acts of kindness, the desire to feel valued. Taylor’s observations of social situations are spot-on (there are some very funny moments). A real gem.

A Way of Life, Like Any Other by Darcy O’Brien

Part compassionate satire, part touching coming-of-age story, this semi-autobiographical novel was inspired by O’Brien’s experiences of growing up in Los Angeles in the 1940s and ‘50s. The boy’s father used to be a famous actor, but his career has faded over the years. By the time he is twelve, the boy is living with his melodramatic, alcoholic mother, acting as her confidante and helping her through the bad times. This is a wonderful book – funny, sad, ironic and sympathetic. In many ways, it reminds me of early-to-mid-period Woody Allen (you know, the good ones before things went astray).

Young Man with a Horn by Dorothy Baker

Dorothy Baker makes my reading highlights for the second year running, this time with Young Man with a Horn, a novel inspired by the music of jazz legend, Bix Beiderbecke. The story focuses on the life of a fictional character named Rick Martin, a jazz musician whose passion for music is so great that he struggles to keep pace with his own ability. This is good old-fashioned storytelling strong on mood, atmosphere and the rhythm of the music. Baker’s writing is top-notch.

Of Love and Hunger by Julian Maclaren-Ross

Set in the 1940s, this novel is narrated by Richard Fanshawe, a young man who finds himself in the unenviable position of trying to eke out a living by selling vacuum cleaners to sceptical housewives. The story is shot through with dark humour, much of which stems from Maclaren-Ross’ wonderfully sharp observations on Fanshawe’s experiences as a salesman and life at the boarding house where he rents a room. Probably my favourite read of the year – a must for Patrick Hamilton fans.

Desperate Characters by Paula Fox

Set in New York in the late 1960s, this short novel follows a weekend in the lives of Sophie and Otto Bentwood, a childless upper-middle-class couple living in Brooklyn. When Sophie is bitten by a cat, the incident is the first of a number of disturbing events that threaten to destabilise the Bentwoods’ seemingly harmonious existence. This is a subtle and very effective character study; slowly but surely Fox peels away the layers to expose Sophie’s vulnerability and Otto’s failings. A novel that has grown in my mind over time.

Nora Webster by Colm Tóibín

Set in Enniscorthy (the author’s birthplace), a small town in the south-east of Ireland in the late 1960s, Tóibín’s latest novel is the touching story of a woman who has to find a new way to live following the death of her husband. This is a novel that speaks to me on a personal level; so much of Nora’s story reminds me of my own mother’s experiences following the loss of my father. A subtle character study of a woman’s inner life. As one might expect with Tóibín, the sense of place is wonderful, too.

Carol / The Price of Salt by Patricia Highsmith

Highsmith’s ‘underground’ novel centres on the development of a relationship between Therese, a young aspiring designer and Carol, an older woman in the midst of a divorce and custody battle for her child. I really love this book; it is beautiful, insightful and involving. The central characters are so well drawn – the longing Therese feels for Carol is portrayed with great subtlety. While Carol is quite different to the other Highsmith novels I’ve read, it contains moments of real tension, both sexual tension and flashes of fear and anxiety. Familiar Highsmith themes such as obsession, desire and morally complex scenarios are here, albeit in a different context. This is the source novel for Todd Haynes’ recent film, Carol – both the novel and the movie come with a high recommendation from me.

Thank you to everyone who has read, shared or commented on my posts over the last year, I really do appreciate it. Wishing you all the best for the festive season and the year ahead, may they be filled with many wonderful books!

Topkapi – The Light of Day by Eric Ambler

In need of a change from all the translated fiction I’ve been reading lately, I turned to Eric Ambler’s 1962 crime caper, The Light of Day (also published as Topkapi). A good decision as it proved to be hugely enjoyable, just what I was looking for at the time.

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The novel is narrated by Arthur Abdel Simpson, a small-time thief who makes a living by hustling tourists on their arrival at Athens airport. As the story opens, Simpson is recounting the tale of how he got mixed up with Harper, a man who turned out to be more dangerous than he appeared at first sight. As Simpson looks back on past events, here’s how his story begins:

It came down to this: if I had not been arrested by the Turkish police, I would have been arrested by the Greek police. I had no choice but to do as this man Harper told me. He was entirely responsible for what happened to me.

I thought he was an American. He looked like an American – tall with the loose, light suit, the narrow tie and button-down collar, the smooth, old-young, young-old face and the crew cut. He spoke like an American, too; or at least like a German who had lived in America for a long time. Of course, I now know that he is not an American, but he certainly gave that impression. His luggage, for instance, was definitely American: plastic leather and imitation gold locks. I know American luggage when I see it. (pg. 1)

It’s a good opening, one that pulled me into narrative – you know from the start that something bad has happened to the narrator, and he holds Harper responsible for it.

When Simpson spots Harper at the airport, he marks him out as someone seemingly unfamiliar with Athens, reasonably well off and thus a suitable target for one of his petty scams. He offers to act as the visitor’s driver and guide to the city, and after a bit of to-ing and fro-ing, Harper agrees. But unfortunately for Simpson, Harper has him all worked out from the get-go, and when Simpson tries to steal a few travellers cheques from his wallet, Harper catches him red-handed.

He turned and stared at me. All at once his face was neither old-young nor young-old. It was white and pinched and his mouth worked in an odd way. I have seen faces go like that before and I braced myself. There was a metal lamp on the writing table beside me. I wondered if I could possibly hit him with it before he got to me.

But he did not move. His eyes flickered towards the bedroom and then back to me. (pg. 21)

Having discovered Simpson’s scam, Harper blackmails him into playing a part in his own shady plan. Simpson must drive a high-class American car from Athens to Istanbul, no questions asked – it’s either that or Harper will turn him over to the police. Harper, on his part, claims he is doing a favour for the daughter of a business associate, Fräulein Elizabeth Lipp, the car’s registered owner. Even though Simpson suspects the car may be carrying illicit goods (drugs, jewellery, money or suchlike), he knows he has to go through with it. Harper has already strong-armed him into signing a confession for the purposes of ‘insurance’.

Once he is clear of Athens, Simpson stops, takes a good look inside the car and finds nothing. But on his arrival at the border with Turkey, he gets stopped by the Turkish police. A more thorough search of the car is conducted, arms and explosives are discovered, and Simpson is placed under arrest. His position is further complicated by the fact that his passport is out of date. The Egyptian government has refused to renew it, revoking his citizenship in the process; in effect, Simpson is stateless. Having discovered the arms, The Turkish Secret Service is convinced that they must be destined for some kind of political attack. As a result, they force Simpson to act as their agent, coercing him into reporting on Harper’s every move along with those of his associates.

As he continues his story, we learn more about Simpson as a character, particularly his mistrust of authority figures which stems from his days at an English public school. Here he is on the people who run counter-espionage groups, men like Major Tufan, his contact from the Turkish ‘Second Section’. He considers these men to be ‘suspicious, unbelieving, […], petty’ and ‘inhuman’.

With them, it is no use having just one story; and especially not a true story; they automatically disbelieve that. What you must have is a series of stories, so that when you they knock the first one down you can bring out the second, and then, when they scrub that out, come up with a third. That way they think they are making progress and keep their hands off you, while you gradually find out the story they really want you to tell. (pg. 49)

Once he re-establishes contact with Harper, Simpson must take one risk after another in order to satisfy Major Tufan’s demands for information. He has to get as close to Harper’s gang as possible without blowing his cover in the process. In this scene, Simpson realises he’s being sounded out by Miss Lipp, Harper’s glamorous companion, in all likelihood the true brains of the operation.

I couldn’t help glancing at her. She was watching me in her amused, considering way, but there was nothing sleepy about her eyes now. They were steadily intent.

And then I got the message. I was being sounded, either to discover what I had made of the setup and if they had left any shirt-tails showing, or to find out if I could be trusted in some particular way. I knew that how I answered would be very important indeed to me; but I didn’t know what to say. It was no use pretending to be stupid any more, or trying to avoid the issue. A test was being applied. If it failed it, I was out – out with Harper, out with Tufan and his Director, out with the Turkish customs, and, in all probability, out with the Greek police as well. (pg. 113)

Before long, Simpson finds himself embroiled in Harper’s plot, which isn’t quite the political attack the Turkish authorities are anticipating. Caught between a rock and a hard place, our narrator has little option but to play the game. That’s about as much as I’m going to say about the story, but this is a hugely entertaining, well-paced escapade with plenty of action, especially in the closing stages.

This is my first experience of Eric Ambler’s work, and I hope it won’t be the last. As far as I can tell, several of his novels feature fairly unsuspecting civilians, often short of money, who find themselves caught up in some conspiracy or other. Despite his failings and previous brushes with the law, Simpson is the underdog in this scenario – he’s an eminently likeable character, and I found myself rooting for him all the way. As he recounts his narrative, Simpson goes over his actions, highlighting his thinking and the options open to him at the time.

My thanks to Scott (of seraillon) and John (of Noirish) for recommending Eric Ambler and this classic novel in particular. In 1964, the story was filmed as Topkapi, directed by Jules Dassin, starring Peter Ustinov in the role of Simpson, Maximilian Schell as Harper and Melina Mercouri as Elizabeth Lipp. It’s been a while since I watched it, so it’s time for another look.

Topkapi – The Light of Day is published by House of Stratus. Source: personal copy. Book 10/20, #TBR20 round 2.