The British Library do a marvellous job with their themed anthologies, regularly issuing selections of mysteries or ghost stories by various authors. Last year, they extended this concept to their very popular Women Writers series, publishing a seasonal anthology of tales by the likes of Stella Gibbons, Muriel Spark and Elizabeth von Arnim. It’s a beautifully produced collection, the literary equivalent of a Christmas selection box, featuring perennial favourites, new discoveries and the occasional left-field choice.
There are seventeen stories here, spanning a diverse array of styles from the literary to the commercial, from the traditional to the surreal. Inevitably, different stories will resonate with different readers depending on their personal tastes, but there really seems to be something for every reader here!
As in my reviews of other anthologies and short story collections, I’m going to focus on the strongest entries – in other words, the ones I enjoyed the most. Hopefully this will give you a flavour of what to expect! Unsurprisingly, families feature heavily here, sometimes encompassing reconciliations, reunions, or the forging of new connections. Moreover, the stories are arranged to mirror the order of events across the holidays, from pre-Christmas preparations to the Big Day itself, with a New Year’s Eve story towards the end. It’s a lovely way to construct a collection, walking the reader through the festive season as it unfolds.
In The Little Christmas Tree by Stella Gibbons, a young spinster begins to regret her decision to spend Christmas alone in her country cottage, having rejected an invitation from Kensington friends. Luckily, Rhoda’s Christmas Day is brightened by a surprise visit when three lively children turn up on her doorstep, as if from a fairy tale. Much merriment ensues in this lovely, magical story with a hint of romance.
Maeve Binchy’s This Year It Will Be Different focuses on Ethel, a married woman with a husband and three grown-up children living at home. Despite having a job herself, Ethel is expected to manage all the shopping, cooking and housework for her family. That’s how it’s been for the last twenty-three years, so why should the routine change in the future? Ethel, however, has other plans. This Christmas, things will be different – she simply cannot face the thought of doing it all over again.
She didn’t do anything dramatic. She didn’t do anything at all. She bought no tree, she mended no fairy lights, she sent six cards to people who really needed cards. There was no excited talking about weights of turkey and length of time cooking the ham as in other years. There were no lists, no excursions for late-night shopping. She came home after work, made the supper, cleared it away, washed up and sat down and looked at the television. Eventually they noticed. (p. 25)
This lovely, unshowy story highlights just how easy it is for women to be taken for granted by their families…and what happens when they take a stand!
In Beryl Bainbridge’s excellent tale, Clap Hands, Here Comes Charlie, Charles Henderson is somewhat disappointed when his wife, a domestic cleaner, receives six theatre tickets for a pantomime from her employer as a Christmas gift. Still, Mrs Henderson is determined to make the best of it – her two grandchildren will enjoy Peter Pan, even if no one else is very enthusiastic.
Bainbridge uses humour to great effect here, crafting a wonderfully vivid story with a sting in its tail. On the day itself, Charles is all out of sorts, unsettled by his son Alec’s wild driving, his daughter Moira’s preoccupations, and a nasty bout of indigestion that worsens as the pantomime unfolds.
“…I can’t see the point of it, can you, Moira?” Moira said nothing, but her mouth drooped at the corners. She was probably thinking about her husband who had run off and left her with two kiddies and a gas bill for twenty-seven quid. (p. 188)
The story ends with a shock – an unexpected turn of events that feels typical of Bainbridge’s style. Easily one of my favourites in the collection.
Christmas Fugue by Muriel Spark is another highly memorable one, the wild card in the pack! In this story, Cynthia, a young Englishwoman, is flying home from Australia on Christmas Day. An early encounter between some of her fellow passengers marks out the tone as surreal…
A thin, tall man with glasses passed the couple on the way to the lavatories. On his emergence he stopped, pointed at the paperback and said, “Agatha Christie! You’re reading Agatha Christie. She’s a serial killer. On your dark side you yourself are a serial killer. The man beamed triumphantly and made his way to a seat behind the couple. (p. 87)
This story blurs the margins between the real and the imaginary, leaving the reader to tease out the truth. There are shades of Spark’s novella The Driver’s Seat here, the kind of scenario where everything feels somewhat skewed or off-kilter.
Gentler fare comes in the shape of Audrey Burton’s Ticket for a Carol Concert, in which Mrs Lorimer is trying to sell the last tranche of tickets for the carol concert with mixed success. Everyone seems to have an excuse not to come, but they buy a ticket anyway just to be charitable.
Miss Sweeting was a singer, a professional singer. She got engagements sometimes with the BBC and at Masonic dinners. “A carol concert! She gave a delicate, artistic shudder. No, she really couldn’t listen to amateurs, couldn’t hear all that music being murdered by people who hadn’t been trained how to produce their voices properly. (pp. 54-55)
A very enjoyable story with a lovely conclusion, full of gentle humour. Other nostalgic, heartwarming tales include Kate Nivison’s ‘Twas the Night Before Christmas (featuring a very likeable mouse!) and Pantomime by Stella Margetson, in which a young boy is thrilled to be given the chance to act as assistant stage manager for the festive pantomime production. This is a really beautiful story, tinged with the poignancy of a childhood crush.
Fans of lighter, romantic fiction will likely enjoy Olive Wadsley’s Snow (a frothy, melodramatic love triangle) and Nancy Morrison’s Freedom (an enjoyable confection), while lovers of Elizabeth von Arnim’s fiction will be pleased to find one of her pieces here. Christmas in a Bavarian Village is short but very evocative, a vivid sketch with hints of more depth beneath the surface. A couple of the other stories, e.g. Alice Munro’s The Turkey Season and Kathleen Norris’s Christmas Bread, didn’t quite land for me, but that’s only to be expected in an anthology such as this.
So, in summary then, a delightful anthology of festive stories to suit various tastes – an ideal gift for the right reader. (My thanks to the publishers for kindly providing a review copy.)