Happy 10th Birthday to JacquiWine’s Journal!

I don’t usually mark my blog’s birthdays, but as JacquiWine’s Journal is 10 years old today, I couldn’t resist this post as a celebration of sorts! It seems such a long time since I first dipped my toe in the blogging world with some reviews of books longlisted for the Independent Foreign Fiction Prize in 2014. I was part of a Shadow Panel back then, and initially, the other shadowers kindly posted my reviews on their blogs as I didn’t have one of my own – not until I set up the Journal in May 2014, and the rest as they say is history.

Much has changed since I started blogging, but the bookish community on various sites and social media platforms continues to be a joy. I’ve had so many lovely conversations with readers over the years, so thank you for reading, engaging with and commenting on my reviews – I really do appreciate it.

To mark this milestone, I’ve selected a favourite book reviewed during each year of my blog, up to and including 2023. (My favourite reads of 2024 will have to wait till later this year!) Happy reading – as ever, you can read the full reviews by clicking on the appropriate links.

Cassandra at the Wedding by Dorothy Baker (reviewed in 2014)

Cassandra, a graduate student at Berkeley, drives home to her family’s ranch for the wedding of her identical twin sister, Judith, where she seems all set to derail the proceedings. This is a brilliant novel featuring one of my favourite women in literature. Cassandra is intelligent, precise and at times witty, charming and loving. But she can also be manipulative, reckless, domineering, self-absorbed and cruel.  She’s a mass of contradictions and behaves abominably at times, and yet it’s very hard not to feel for her. If you like complex characters with plenty of light and shade, this is the novel for you!

Mrs Palfrey at the Claremont by Elizabeth Taylor (reviewed in 2015)

Taylor’s 1971 novel follows a recently widowed elderly lady, Mrs Palfrey, as she moves into the Claremont Hotel, joining a group of residents in similar positions – each one is likely to remain there until a move to a nursing home or hospital can no longer be avoided. This beautiful, bittersweet, thought-provoking novel prompts readers to consider the emotional and physical challenges of old age: the need to participate in life, the importance of small acts of kindness and the desire to feel valued, to name just a few. Taylor’s observations of social situations are spot-on – there are some very funny moments here alongside the undoubted poignancy. Probably my favourite book by Elizabeth Taylor in a remarkably strong field!

In a Lonely Place by Dorothy B. Hughes (reviewed in 2016)

A superb noir which excels in the creation of atmosphere and mood. As a reader, you really feel as though you are walking the Los Angeles streets at night, moving through the fog with only the dim and distant city lights to guide you. Hughes’ focus is on the mindset of her central character, the washed-up ex-pilot Dix Steele, a deeply damaged and vulnerable man who finds himself tormented by events from his past. The storyline is too complex to summarise here, but Hughes maintains the suspense throughout. (This was a big hit with my book group, and we went on to read The Expendable Man, too!)

The Age of Innocence by Edith Wharton (reviewed in 2017)

A beautiful and compelling portrayal of forbidden love, characterised by Wharton’s trademark ability to expose the underhand workings of a repressive world. Set within the upper echelons of New York society in the 1870s, the novel exposes a culture that seems so refined on the surface, and yet, once the protective veneer of respectability is stripped away, the reality is brutal, intolerant and hypocritical. There is a real sense of depth and subtlety in the characterisation here. A novel to read and revisit at different stages in life.

The Lonely Passion of Judith Hearne by Brian Moore (reviewed in 2018)

This achingly sad novel is a tragic tale of grief, delusion and eternal loneliness set amidst the shabby surroundings of a tawdry boarding house in 1950s Belfast. Moore’s focus is Judith Hearne, a plain, unmarried woman in her early forties who finds herself shuttling from one dismal bedsit to another in an effort to find a suitable place to live. When Judith’s dreams of a hopeful future start to unravel, the true nature of her troubled inner life is revealed, characterised as it is by a shameful secret. The humiliation that follows is swift, unambiguous and utterly devastating, but to say any more would spoil the story. An outstanding, beautifully written novel – a heartbreaking paean to a life without love.

A Dance to the Music of Time by Anthony Powell (reviewed in 2019)

I’m cheating a little by including this twelve-novel sequence exploring the political and cultural milieu of the English upper classes, but it’s too good to leave out. Impossible to summarise in just a few sentences, Powell’s masterpiece features one of literature’s finest creations, the odious Kenneth Widmerpool. It’s fascinating to follow Widmerpool, Jenkins and many other individuals over several years in the early-mid 20^th century, observing their development as they flit in and out of one another’s lives. The author’s ability to convey a clear picture of a character – their appearance, their disposition, even their way of moving around a room – is second to none. Quite simply one of the highlights of my reading life!

The Children of Dynmouth by William Trevor (reviewed in 2020)

Probably my favourite William Trevor to date, The Children of Dynmouth tells the story of a malevolent teenager and the havoc he wreaks on the residents of a sleepy seaside town in the mid-1970s. It’s an excellent book, veering between the darkly comic, the deeply tragic and the downright unnerving. What Trevor does so well here is to expose the darkness and sadness that lurks beneath the veneer of respectable society. The rhythms and preoccupations of small-town life are beautifully captured too, from the desolate views of the windswept promenade, to the sleepy matinees at the down-at-heel cinema, to the much-anticipated return of the travelling fair for the summer season. One for Muriel Spark fans, particularly those with a fondness for The Ballad of Peckham Rye.  

The Fortnight in September by R. C. Sherriff (reviewed in 2021)

During a trip to Bognor in the early 1930s, R. C. Sherriff was inspired to create a story centred on a fictional family by imagining their lives and, most importantly, their annual September holiday at the seaside resort. While this premise seems simple on the surface, the novel’s apparent simplicity is a key part of its magical charm. Here we have a story of small pleasures and triumphs, quiet hopes and ambitions, secret worries and fears – the illuminating moments in day-to-day life. By focusing on the minutiae of the everyday, Sheriff has crafted something remarkable – a novel that feels humane, compassionate and deeply affecting, where the reader can fully invest in the characters’ inner lives. This is a gem of a book, as charming and unassuming as one could hope for, a throwback perhaps to simpler, more modest times.

Quartet in Autumn by Barbara Pym (reviewed in 2022)

First published in 1977, at the height of Pym’s well-documented renaissance, Quartet in Autumn is a quietly poignant novel of loneliness, ageing and the passing of time – how sometimes we can feel left behind as the world changes around us. Now that I’ve read it twice, I think it might be my favourite Pym! The story follows four work colleagues in their sixties as they deal with retirement from their roles as clerical workers in a London office. While that might not sound terribly exciting as a premise, Pym brings some lovely touches of gentle humour to this bittersweet gem, showing us that life can still offer new possibilities in the autumn of our years.

Forbidden Notebook by Alba de Céspedes, tr. Ann Goldstein (reviewed in 2023)

A remarkable rediscovered gem of Italian literature, I adored this candid, exquisitely-written confessional from an evocative feminist voice. The novel is narrated by forty-three-year-old Valeria, who documents her inner thoughts in a secret notebook with great candour and clarity, laying bare her world with all its demands and preoccupations. For Valeria, the act of writing becomes a disclosure, an outlet for her frustrations with the family – her husband Michele, a somewhat remote but dedicated man, largely wrapped up in his own interests, which Valeria doesn’t share, and their two grown-up children who live at home. As the diary entries build up, we see how Valeria has been defined by the familial roles assigned to her; nevertheless, the very act of keeping the notebook leads to a gradual reawakening of her desires as she finds her voice, challenging the founding principles of her life with Michele.

If you’ve read any of these books, do let me know your thoughts!

Spinsters in fiction – a few favourites from the shelves

If you follow Nora (@pearjelly_) on Twitter or Instagram, you’ll know that she’s hosting #SpinsterSeptember, a brilliant reading event showcasing books featuring spinsters, from the classic figures found in 20^th-century lit to the more modern incarnations we might see in books today. I’ll be posting a new review of a novel featuring a spinster later this month, but before we get to that, I’d like to highlight some recommendations from the archive of books I’ve reviewed over the years.

Several of the following were covered by Nora, Trevor and Paul during their recent discussion about Spinster Lit and #SpinsterSeptember on a recent episode of The Mookse and the Gripes podcast, but I thought it might be useful to do a round-up here. (Do listen to this excellent episode of The Mookse podcast – it really is very good indeed! Nora shares some great insights into her interest in Spinster Lit and various thoughts on the different types of spinsters she’s identified through her reading.)

So, to cut to the chase, here are some of my favourite books featuring spinsters, mostly old and one or two new.

Some Tame Gazelle by Barbara Pym

Two spinsters for the price of one here in this early novel from one of the giants of Spinster Lit, the delightful Barbara Pym. The novel’s set-up is fairly straightforward yet rather charming. Belinda and Harriet Bede are both spinsters in their fifties, living together in a quintessentially English village at some point in the 1930s or ‘40s. Their lives revolve around the day-to-day business of the community, mostly activities connected with the church. Belinda has been in love with Archdeacon Hoccleve for the past thirty years, a man she first met and dated in college, where they enjoyed a mutual appreciation of the English poets; but now that the Archdeacon is married to the formidable and efficient Agatha, Belinda must remain content with worshipping him from a safe distance, fantasising over whether he still retains some affection for her after all these years. On the other hand, Belinda’s sister Harriet is more preoccupied with the sequence of curates – all young, pale and undernourished – who pass through the parish on a regular basis. By the end of this delightful, beautifully observed novel, a number of marriage proposals will have been issued, but how many (if any) will have been accepted? You’ll have to read the book to find out!

The Lonely Passion of Judith Hearne by Brian Moore

This is an achingly sad novel, a tragic tale of grief, delusion and eternal loneliness set amidst the shabby surroundings of a tawdry boarding house in 1950s Belfast. Its focus is Judith Hearne, a plain, unmarried woman in her early forties who finds herself shuttling from one dismal bedsit to another in an effort to find a suitable place to live. When Judith’s dreams of a hopeful future start to unravel, the true nature of her troubled inner life is revealed, characterised as it is by a shameful secret. The humiliation that follows is swift, unambiguous and utterly devastating, but to say any more would spoil the story. This is an outstanding novel, easily in my top three reads from 2017, and a classic example of the tragic spinster in fiction. It’s also beautifully written, a heartbreaking paean to a solitary life without love.

Providence by Anita Brookner

The English writer and art historian Anita Brookner carved out a particular niche for herself during her writing career, producing subtle, elegantly crafted novels about loneliness and isolation. Her books often feature unmarried women living small, unfulfilling lives in well-to-do London flats, where they spend their evenings waiting for unobtainable lovers to make fleeting appearances. When I think of Brookner in the context of Spinster Lit, Providence is the novel that immediately springs to mind. I suspect there is a reasonable degree of Brookner herself in Kitty Maule, the central character in this quiet, beautifully observed novel about the disappointments in life, both large and small, the crumbling of those hopes and dreams that many women hold dear.

The Slaves of Solitude by Patrick Hamilton

In my mind, I often associate fictional spinsters with boarding houses, and Patrick Hamilton’s The Slaves of Solitude is arguably the quintessential example of the genre. This darkly comic tragicomedy revolves around Miss Roach, a spinster in her late thirties whose drab and dreary existence is mirrored by the suffocating atmosphere of her lodgings, The Rosamund Tea Rooms. Located in the fictional riverside town of Thames Lockdon, The Rosamond is home to a peculiar mix of misfits – lonely individuals on the fringes of life. Holding court over the residents is fellow boarder, the ghastly Mr Thwaites, a consummate bully who delights in passing judgements on others, much to Miss Roach’s discomfort. Hamilton excels at capturing the stifling atmosphere of the boarding house and the stealthy nature of war, stealing people’s pleasures and even their most basic necessities. A brilliant introduction to the bleakness of a spinster’s life amidst the boarding-house milieu. 

Miss Mole by E. H. Young

Time for something more positive! This lovely, traditional novel features a fully realised character at its heart, the resilient and ever-optimistic spinster, Miss Hannah Mole. For the last twenty years, Miss Mole has eked out a humble living for herself as a children’s governess and as a companion to a sequence of demanding women, but her somewhat rebellious nature has often resulted in trouble and dismissal. Rapidly approaching forty with no permanent home of her own, Miss Mole accepts a position as housekeeper to a pompous, nonconformist minister and his two daughters, both of whom need sensitive care and attention following the death of their mother. While there are many familiar elements to this story – the downtrodden spinster, the conceited employer, the undervalued children and the romantic love interest – what really elevates this novel above the norm is the character of Miss Mole. This is a charming story of an invisible woman who knows that her best years may well be behind her, and yet she rarely loses hope that something wonderful could be just around the corner.

South Riding by Winifred Holtby

Another inspiring one here, and a classic example of Spinster Lit – it even contains the line ‘I was born to be a spinster, and, by God, I’m going to spin’! Set in a fictional district of Yorkshire in the early 1930s, South Riding is an epic, life-affirming novel which explores issues of poverty, social mobility and the value of education. On one level, it is an ensemble piece structured around the workings of local government, their impact on the district of South Riding and the people who live there. On another, it’s a feminist book concerned with the destinies of women from different points along the social spectrum, both young and old. Central to Holtby’s story is Sarah Burton, a forty-year-old unmarried woman, newly appointed to the role of headmistress at the local girls’ school. With her flaming red hair and forthright nature, Sarah is far from the archetypal mousy spinster; instead, she is bright, optimistic and fiercely committed to the development of young women. A novel rich with progressive values and a strong emotional heart – the character of Sarah is superbly portrayed.

Lolly Willowes by Sylvia Townsend Warner

No self-respecting list of fictional spinsters would be complete without Lolly Willowes, first published in 1926 to great success. Now regarded as something of an early feminist classic, it tells the story of Laura (Lolly) Willowes, an unmarried woman of semi-independent means who struggles to break free from her conservative family to create a life of her own in the lush and seductive countryside of Bucks. While the story starts out in fairly conventional territory, about halfway through it morphs into something more magical, subverting the reader’s expectations with elements of fantasy and wonder. I’m trying to keep my description of this one reasonably brief to avoid any spoilers, but it’s a lovely story of a woman’s need for independence, to carve out a life of her own without the interference of those who think they know what’s best.

Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk (tr. Antonia Lloyd Jones)

A very striking novel that is by turns an existential murder mystery, a meditation on life in an isolated, rural community, and, perhaps most importantly, an examination of our relationship with animals and their place in the hierarchy of society. That might make Plow sound heavy or somewhat ponderous; however, nothing could be further from the truth! This is a wonderfully accessible book, a metaphysical novel that explores some fascinating and important themes in a highly engaging way. Central to the narrative is Janina, a highly intelligent, idiosyncratic single woman in her sixties living in a remote Polish village near the border with the Czech Republic. Janina – who narrates the novel – is a marvellous creation, the sort of woman who sees the world in a very particular way, standing up for what she believes in without being willing to compromise her intrinsic values. One of the many things Tokarczuk highlights in this endlessly fascinating novel is the invisibility or dismissal of women, especially when they reach middle age. Arresting, poetic, mournful, and blacky comic, Plow subverts the traditional expectations of the noir genre to create something genuinely thought-provoking and engaging. The eerie atmosphere and sense of isolation of the novel’s setting – a remote Polish village in winter – are beautifully evoked.

Whereabouts by Jhumpa Lahiri (tr. by the author)

Funnily enough, I hadn’t thought of this novella as an example of Spinster Lit until Trevor mentioned it on the Mookse podcast. And it’s an important one to highlight, partly because it features a modern, unmarried woman with a rich inner life. This slim, beautifully constructed novella is an exploration of solitude, a meditation on aloneness and the sense of isolation that can sometimes accompany it. The book – which Lahiri originally wrote in Italian and then translated into English – is narrated by an unnamed woman in her mid-forties who lives in a European city, also nameless but almost certainly somewhere in Italy. There’s a vulnerability to this single woman, a fragility that gradually emerges as she goes about her days, moving from place to place through a sequence of brief vignettes. As we follow this woman around the city, we learn more about her life – things are gradually revealed as she reflects on her solitary existence, sometimes considering what might have been, the paths left unexplored or chances that were never taken. This is an elegant, quietly reflective novella – Lahiri’s prose is precise, poetic and pared-back, a style that feels perfectly in tune with the narrator’s world.

Do let me know what you think of these books if you’ve read some of them already or if you’re considering reading any of them in the future. Perhaps you have a favourite book or two featuring a spinster? Please feel free to mention them in the comments below.

The Doctor’s Wife by Brian Moore

My second review for Karen and Simon’s #1976Club is The Doctor’s Wife, the Booker shortlisted novel by the Belfast-born writer Brian Moore. Set against the backdrop of Northern Ireland in the mid-1970s, this compelling narrative explores the tensions between personal freedoms and the restrictions imposed by marriage, particularly in a traditional society.

The novel’s focus is Sheila Redden, a thirty-seven-year-old woman who lives in Belfast with her surgeon husband, Kevin, and their fifteen-year-old son, Danny. Attractive and intelligent by nature, Sheila married young, sacrificing any personal aspirations for a life of marriage, motherhood and domesticity. Now, sixteen years after their wedding, Sheila has persuaded Kevin to return to Villefranche on the French Riviera for a second honeymoon, a chance perhaps to rekindle their relationship after years of stagnation.

When the pressures of the surgery cause a delay, Sheila sets off for France alone, hoping that Kevin will follow two or three days later, despite his apparent reluctance to travel. En route to the South of France, Sheila stops in Paris to stay the night with Peg, a friend from her student days, and it is here in the city that the stability of her marriage is derailed. When Sheila meets Tom Lowry – a carefree American graduate ten years her junior – the attraction between the two of them is instant and undeniable. To Sheila, Tom represents freedom, opportunity and the possibility of fulfilment – elements that have been sorely lacking in her life for the past several years.

She turned to him, seeing him toss his long dark hair, his eyes shining, his walk eager, as though he and she were hurrying off to some exciting rendezvous. And at once she was back in Paris in her student days, as though none of the intervening years had happened, those years of cooking meals, and buying Danny’s school clothes, being nice to Kevin’s mother, and having other doctors and their wives in for dinner parties, all that laundry list of events that had been her life since she married Kevin. (p. 27)

Before she knows it, Sheila is embroiled in a passionate affair, a relationship that deepens in intensity when firstly, Tom follows her to Villefranche and secondly, Kevin’s departure for France is further delayed. Naturally, Kevin eventually discovers what his wife has been up to, enlisting the help of her brother, Owen – another doctor – in his attempts to persuade his wife to return home.

As in The Lonely Passion of Judith Hearne, Moore demonstrates his ability to get into the minds of his characters – skilfully conveying their hopes and dreams, their failings and violations. With the exception of Tom – who feels rather lightly sketched compared to the other individuals in the novel – the characterisation is excellent, rich in detail and shading. Owen Deane is a particular case in point, a man caught between a sense of loyalty and duty of care towards his sister and the pressure being wielded by Kevin in his attempts to bring Sheila ‘to her senses’.

As the narrative plays out, Sheila must try to reconcile her marital commitments and responsibilities with the lure of freedom and fulfilment. Over the years, she has been ground down by Kevin, complete with his patriarchal attitude and petty jealousies – issues that bubble up now and again whenever another man shows an interest. It is no accident that Sheila is referred to as ‘Mrs Redden’ throughout the novel, a woman defined by her position in the marriage.

The novel also explores mental illness and how men sometimes try to use this excuse as leverage to control women, particularly those they consider to be wilful or wayward. The shadow of religion is another visible presence, adding to the complexities of the struggle between family loyalties and personal liberation. There is a lot going on in this subtle novel, even if I didn’t quite buy into Tom as a character and the speed with which he fell for Sheila Redden…

The Doctor’s Wife is published by Bloomsbury; personal copy.

The Lonely Passion of Judith Hearne by Brian Moore

First published in 1955, The Lonely Passion of Judith Hearne is a novel by the Northern Irish writer, Brian Moore. It’s a book I’ve been saving for quite a while, thinking that it might be my kind of read. Turns out I was right, as it’s definitely one of the best novels I’ve read in recent months, if not this year. It also features a rather marvellous boarding-house setting, an element that generally ticks all the right boxes for me.

The story itself is achingly sad, a tragic tale of grief, delusion and eternal loneliness set amidst the shabby surroundings of a down-at-heel boarding house in a poor area of Belfast in the 1950s. Its focus is Judith Hearne, a plain, unmarried woman in her early forties who finds herself shuttling from one dismal bedsit to another in an effort to find a suitable place to live.

Having devoted most of her adult life to caring for her selfish, somewhat senile aunt (now deceased), Judith is struggling to make ends meet between her dwindling income as a piano/needlecraft teacher and a pitiful annuity from Aunt D’Arcy’s estate. With a limited education and lack of a husband to support her, Judith is not cut out for the working world of the 1950s in which opportunities for women are slowly starting to open up. To make matters works, poor Judith has very few friends – only the O’Neill family whom she visits every Sunday afternoon, an occasion that proves to be the highlight of her week, prompting her to save up various stories to share with the family over tea (more about these excruciating teatimes later).

As the novel opens, Judith has just moved into her new lodgings, an establishment run by the rather nosy Mrs Rice who dotes on her lazy, good-for-nothing slob of a son, Bernard, an aspiring but frankly hopeless poet. Also in residence at the house are Mrs Rice’s brother, James Madden, recently returned from America under uncertain circumstances, two somewhat idiosyncratic fellow boarders, Miss Friel and Mr Linehan, and the young maid, Mary.

In her desperation and naivety, Judith is rather captivated by James Madden with his tales of America and the hotel business in Times Square. Nevertheless, she knows Mr Madden is likely to find her a dull proposition, especially when they are left alone to make small talk over breakfast – as Judith sees it, he is bound to make his excuses, just like all the other men before him.

The dining-room with its cold morning light, its heavy furniture, its dirty teacups and plates, became quiet as a church. Alone with this lonely stranger, she waited for his fumbled excuses, his departure. For now that the others had gone, it would be as it had always been. He would see her shyness, her stiffness. And it would frighten him, he would remember that he was alone with her. He would listen politely to whatever inanity she would manage to get out and then he would see the hysteria in her eyes, the hateful hot flush in her cheeks. And he would go as all men had gone before him. (p. 26)

But, much to everyone’s surprise, James Madden appears to show some interest in Judith, inviting her to the pictures and the occasional outing or two – and before she knows it, Judith is fantasising about a future life with Madden, back at his fancy hotel in New York. As a consequence of her loneliness, Judith is living in something of a dream world, periodically hoping that fate will offer her one last chance at romance and a life of happiness.

Mr and Mrs James Madden, of New York, sailed from Southampton yesterday in the Queen Mary. Mr Madden is a prominent New York hotelier and his bride is the former Judith Hearne, only daughter of the late Mr and Mrs Charles B. Hearne, of Ballymena. The honeymoon? Niagara Falls, isn’t that the place Americans go? Or perhaps Paris, before we sail. (p. 29)

Little does Judith know that Madden was actually a doorman at the hotel in New York, not a manager or proprietor as she has assumed from his carefully judged comments. To complicate matters further, Madden is also under a misconception about Judith, imagining her to be wealthy and knowledgeable from the jewellery she wears and her interest in America and the broader world in general.

He smiled at her. Friendly she is. And educated. Those rings and that gold wrist watch. They’re real. A pity she looks like that. (p. 35)

(Interestingly, Moore offers us direct access to other characters’ thoughts at various points in the narrative, a technique that adds considerably to our understanding of their impressions and motives alongside Judith’s.)

In light of this belief, Madden is hoping to ‘play’ Judith by persuading her to invest in his new business venture: a plan to open a US-style hamburger joint in the middle of Dublin to tap into the tourist business. However, while Judith has very little money of her own, she does harbour a terrible secret – a private passion which she tries, somewhat unsuccessfully, to keep under wraps.

When Judith’s dreams of a future with James Madden start to unravel, the true nature of her troubled inner life is revealed. The humiliation that follows is swift, unambiguous and utterly devastating, leading to significant tensions and gossip in the house. As a consequence, Judith seeks solace in the Catholic Church, her one guiding light during the many years of darkness. But when the priest on duty fails to grasp the true gravity of her concerns, Judith’s faith in God begins to fracture, adding considerably to her sense of desperation. It’s a testament to Moore’s skill and insight as a writer that one can really sense the overwhelming nature of Judith’s anxiety when her religious conviction is put to the test.

With her belief system in tatters, Judith turns instead to the people she has always considered to be her true friends, the O’Neills. In reality, however, the O’Neills dread Judith’s Sunday afternoon visits, making fun of her behind her back and arguing over whose turn it is to do their duty that week. In her heart of hearts, Judith knows that she is thought of as a rather fussy and silly old woman, especially by the younger members of the O’Neill family, Una, Shaun and Kevin; nevertheless, in spite of this, she still believes the O’Neills are kindly people, even if they understand little of the realities of her life. Moore injects these ‘teatime’ passages with considerable humour, but it is a painfully dark kind of humour due to the tragedy and narrowness of Judith’s world.

‘Another sherry?’

‘Well, really, I shouldn’t. But it’s so good.’

She drank a second glass quickly and young Una lifted the decanter. ‘Let me fill your glass up, Miss Hearne.’

‘No, thank you, I couldn’t really. Two is my absolute limit.’

There! She’d done it again, saying something she always said. She saw the small cruel smile on Una’s face – like the day I came into the room and she and Shaun were saying over and over, imitating me. ‘Your mother will bear me out on that, won’t you?’ Over and over, and it’s what I always say – well, I won’t say two is my absolute limit ever again. Anyway, a child like her, what does she know about life? Or life’s problems? (p. 77)

As the novel reaches its shattering conclusion, Judith’s mind begins to spiral out of control as she loses her grip on reality. Without wishing to give too much away, there is a certain inevitability about the story which comes full circle towards the end. We see Judith adopting an air of resignation in her new home, another room in which she carefully places the two symbols that follow her everywhere: the silver-framed photograph of her aunt and the coloured oleograph of the Sacred Heart. As readers, we can only imagine what the future may hold for her.

The Lonely Passion of Judith Hearne is an outstanding novel (probably one of my top three for the year), but it’s also a devastating read. The characterisation is truly excellent, from the nuanced portrait of Judith, complete with all her flaws and complexities, to the immoralities of James Madden and Bernard Rice. (In a novel not short of damaged and dishonourable characters, James and Bernard definitely stand out.) It’s also beautifully written, a heartbreaking paean to the loneliness of a life without love. Very highly recommended indeed.

The Lonely Passion of Judith Hearne is published by NYRB Classics; personal copy